AUCKLAND, New Zealand — A planned Hollywood film about the Christchurch mosque massacre has drawn a sharp backlash in New Zealand, with Muslims denouncing the director’s decision to focus not on the community’s pain and resilience, but instead on the response by Prime Minister Jacinda Ardern.
More than 60,000 people have signed a petition calling for the movie to be shut down. Ms. Ardern released a statement distancing herself from the film, which she said she had not been consulted on. The mayor of Christchurch said that the movie’s crews would not be welcome in her city, and one New Zealand producer dropped out of the production on Monday.
Some Muslims said the film, as proposed, would exploit their trauma and engage in “white saviorism” by making Ms. Ardern the central character.
“It’s really intensely hurtful,” said Guled Mire, a Fulbright scholar at Cornell University who is a member of New Zealand’s Muslim community. He added that he and others had learned of the movie only through social media. “The grief is still very raw for a lot of the victims, their families and for the community as a whole.”
The film, announced on Thursday, is called “They Are Us,” taking its title from Ms. Ardern’s comments about the Muslim community after the 2019 shootings at two mosques, in which more than 50 people died. It would star the Australian actress Rose Byrne as a grieving Ms. Ardern.
The film’s director, the New Zealand screenwriter Andrew Niccol, told Deadline that “the film addresses our common humanity, which is why I think it will speak to people around the world.” He added, “It is an example of how we should respond when there’s an attack on our fellow human beings.”
While Ms. Ardern has been praised globally for her compassionate response to the massacre, Muslims in New Zealand said the movie’s focus on her was part of a long pattern in Hollywood of marginalizing minority populations.
“It was quite shocking to see that, in 2021, we are still making these films which you would probably see in the 1920s or ’30s in Hollywood, where white saviors go into the desert,” said Ghazaleh Golbakhsh, an Iranian-New Zealand writer, academic and filmmaker. “It all kind of harks back to this kind of colonialist and Orientalist fantasy.”
Mohamed Mostafa, whose father was killed in the attacks, said he felt taken advantage of by the film project. “Someone’s trying to exploit my pain and agony and suffering — and for what benefit?” he said.
He added that white saviorism was a false narrative. “There’s no saviors here, because we have 51 victims in the story,” he said. “If we had a savior, we wouldn’t have any victims.”
“It is kind of encouraging the idea that anyone nonwhite is either too weak, or not as interesting, and therefore just kind of pushes them to the background, as not a three-dimensional character,” she said.
A report from the Annenberg Inclusion Initiative released last week found that Muslims, who make up nearly a quarter of the global population, represented less than 2 percent of speaking characters in top-grossing films made between 2017 and 2019. Nearly 20 percent of the Muslim characters who did appear were killed by the end of the film, often in a violent death.
“I sincerely hope that this project gets canceled and we don’t ever hear about it ever again,” Mr. Mostafa said. “When we’re ready to tell the story, we might do it, one day. And it’s going to be our story to tell.”